Music Theory · Chapter 14, Lesson 14.6 — Ear Training & Transcription

Recognizing Cadences by Ear

Cadences are music's punctuation marks. Learn to hear the difference between a full stop, a comma, an "amen," and a surprise twist.

Expert ⏱ 6 min read 👂 Interactive

Four cadences, four punctuation marks

A cadence is a short chord motion that closes a musical phrase. Just like punctuation shapes how a sentence lands, each cadence type gives a phrase a distinct emotional ending:

CadenceMotionPunctuation feel
AuthenticV → IA full stop — strong, conclusive
Half(I or IV) → VA comma — a pause expecting more
PlagalIV → IThe "amen" — soft, churchly, gently conclusive
DeceptiveV → viA surprise — sets up an ending, then swerves

The authentic cadence is the strongest way to end a phrase — V pulls hard into I, and the arrival feels total. A half cadence deliberately stops short, landing on V so the ear expects the phrase to continue. The plagal cadence is famous as the harmony under "a-men" at the end of hymns — softer than an authentic cadence, but still clearly home. The deceptive cadence is the trickster: it builds up all the tension of V wanting to resolve to I, then slides to vi instead — a chord that shares two notes with I but isn't home, creating a moment of harmonic surprise.

👂 Name That Cadence Hear a short two-chord cadence in a random key, then guess its type.
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💡 Trivia: Classical composers sometimes wrote long, ornate passages that sound exactly like they're building toward an authentic cadence — only to swerve into a deceptive cadence at the last second, a favorite trick for extending a piece's emotional climax.

Common questions

What does an authentic cadence sound like?

V to I — a strong "full stop," the most conclusive-sounding cadence, used to end phrases and pieces with finality.

What is a half cadence and how does it feel?

It ends on V instead of resolving to I, feeling like a comma — a pause that clearly expects more music to follow.

Why is the plagal cadence called the "amen cadence"?

IV to I is the harmony traditionally sung under "Amen" at the end of hymns — gentle and churchly, softer than an authentic cadence.

What makes a deceptive cadence surprising?

It sets up a V chord the ear expects to resolve to I, then moves to vi instead — a chord that shares two notes with I but isn't home.

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